“As
Daniel Bell argued in The Cultural Contradictions of
Capitalism, European intellectuals and artists began in the late
nineteenth century to reject the traditional values of the bourgeois ethic,
which they found stifling. They became hostile to commerce and business, and
their animus was reflected in high culture, especially literature, throughout
the first half of the twentieth century. With the cultural revolution of the
1960s, those ideas found their way into the mainstream, where it became
fashionable for a new generation of movie executives and other purveyors of pop
culture to explore more transgressive themes, including those that questioned
the institutions that employed us and furnished us with life’s essentials. The
rise of post-modernism, with its ‘creed of pastiche and parody, of the idea
that anything goes, of the enthronement of popular and low culture,’ further
entrenched an ethos that widely derides big business today. The average
American, from a young age and into adulthood, can’t escape being battered by
messages that reflect a deep hostility to the traditional strive-and-thrive
American culture that big businesses, especially, represent.”
It has been
my thought for some time that the nation’s true troubles began in the late 19th
century with massive numbers of immigrants. Especially troublesome were the European radicals who passed through Ellis Island in New York City. Today, those who
believe the accuracy of television would also believe all ancestors came into
the United States by way of New York City. They do not know of the earlier
numbers who arrived in Baltimore, Savannah and New Orleans. Do they believe
immigrants on the West Coast also arrived first in New York City and hitched rides
west?
The New York
entries later achieved influence through writing, publishing, entertainment and
politics. In those fields, the relative newcomers were able to push aside
traditional American values and American’s themselves, deciding for the rest of
us, “Our way is the way America must be.”
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